Ernest Contreras

[...]Antoni Miró re-vindicates the human category of manual work for artistic work. And this is the reason why all his works, those related to circumstantiated man —Vietnam, the factory, the longing for freedom—, as well as the ones that are abstracted from any historic circumstances — wrinkled paper, metallic geometry— are signed, deeply and warmly signed by a positive attitude: giving back to art its condition of daily labour, of a really human activity.