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Anna Szlazak

[...] Antoni Miró is a self-reflexive artist but he seems to have a great respect for the recipient as well. Seemingly clear works contain hidden meanings. They allow him to create a perverse dialog with the recipient, who is eager to search for new, hidden meanings once he faces the painting. Nevertheless, the artist allows the viewer to do something else - he allows him to reach his own conclusions. The artist does not try to impose a specific message on the recipient; he presents it in a very clear way, but with a subtly hidden second meaning. [...]
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EL TINTER, 1997 (Serigragia, 75x56) Antoni Miró