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Museus (2003-2009) Subseries

Antoni Miró shows us his particular vision of the museums he visited. Thus, the artist endears himself to the museum institution as a spectator but, at the same time, his own experiences are transferred to his paintings. A new model of mirrors, of gaze backwards, of interest and interpretation confluence between the one who looks and the one who is observed is given to us. The operation is constantly having implications. Being spectators of Miró's works, we are settled in a redirected environment since it is possible to look again the works of the painter in a museum.

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