Ricard Pérez Casado

[...] The trade goes first. Drawing, cutting out the space by the lines, flooding it in the reflection of colours; close to the reality of the eye but also to what the eye provides to the brain, to the knowledge. A lot of work, a lot of sentiments. The sober contention is part of the way of artist personality, halfway between the demiurge and the interpreter always, after the actor. Yes, discipline and seriousness. [...]