Josep Forcadell

[...] In recent years, Antoni Miró is set at the spectators and art spaces. Great works go to the background: La Gioconda in the Louvre watched by a crowd of curious and faithful viewers and fast photo shooting, scholars and art lovers who travel the shadow of the Parthenon or the Sun of Epidaurus, walkers of the Greek Museum with attitude, affection and respect for those who made that temple[...]