Glòria Bosch i Mir

I doubt if the expressions «beat» and «impulse» will be enough accurate to reflect the communicative strength of Antoni Miró’s works. What I know is that of each image, anxieties and sharp ironies emerged as a result of an impulsive transposition of elements. We have the report, the witness, but always in accordance with «created» aesthetics, a code of interchangeable symbols where perception-communication always appears due to a high symbolic content. This is how the technical command confirms them plastically.

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