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Armand Alberola

[...] Miró painted, engraved or carved our history, the more remote and the most current and he left his stamp on those institutions that were lucky enough to count on his cooperation. Everything from his deep convictions, from the purest social and political activism, fighting with the finest weapons that humans can use, with method and patient, and without ever giving up his plastic voice. [...]
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DOBLE PARELLA, 2010. L'Havana (Acrílic s/ llenç, 81x116) Antoni Miró

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