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Pasqual Patuel

[...] The objective he has maintained throughout his artistic career is replete with this critical outlook towards the culture of the time, contributing with revisionist patterns aimed at promoting a change of focus towards new possibilities. With that purpose in mind, Miró has developed a comprehensive iconography which ranges from irony and sarcasm to the subtlest tenderness. His painting no longer evolves within a bland and neutral plane, but it brings with it a strong provocation aimed at provoking in the spectator a capacity for reflection on the context they live in. [...]
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AFGANA I XIQUET, 2002/ Afganistà (Acrílic s/ llenç, 81x116) Antoni Miró