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Néstor Basterretxea

[...] Paying attention, that is, to try to understand the multiple adventure of the efforts that, to my eyes, seemed like a motley repertory of objects secretly connected to each other, I suppose, and composing the vast and surprising aesthetic body that Toni Miró’s work turns out to be. [...]
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BICI DE LLAUNER, 1996 (Acrílic s/ taula, 68x98) Antoni Miró

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