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Joan Fuster

[...] Since the first day, in the crux of his firm and protean work, a critical decision has been projected on the man and the society created by the western man. It is sometimes the cry of complaint; others, the abrupt sarcasm and, from time to time, the proper incongruity of an art cornered with its own hypotheses. Hence a deep suggestion arises along with a lesson.
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LA GIOCONDA, 1973 (Acrílic s/ taula, 66x48) Antoni Miró

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