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Joan F. Mira

[...] Transfigured shoes, of course, and this is what sums the matter up, for the transfiguration of reality -even a reality as real as a true bicycle or shoe, not an image of a shoe or of a bicycle- is one of the secrets of the art of Antoni Miró. The transfiguration of reality in order to make its hidden dimensions -often concealed from us- visible, with the intention of re-establishing its credit, so often forgotten or lost. Such a feat, besides being a para­doxically clamorous secret, is truly an art in the full sense of the word, a fact that given the times we are living in, we must say is no slight achievement. [...]
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MURAL BAHAMAS, 1992 (Acrílic s/ taula, 98x68) Antoni Miró