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Floriano di Santi

[...]Looking inside the history of art has motivated the deeply reflective character of Miró’s figurative tékne in the last four or five years, his infinite worry. He reflects on the human condition in an implication that, from individual memory, the very thoughts, the very feelings, goes to a successive explicitness almost of a background of collective[...]
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Cuboides, 2003 (Pintura objecte) Antoni Miró

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