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Emili La Parra

[...] one facet of this artist, located in the line of social realism and fully committed to the problems and achievements of his time. From this commitment, his keen interest in the past arises because he knows very well that this past has shaped the current situation. Therefore, the story has a central place in the work of Toni Miró. He uses a critical -sometimes with a heavy dose of irony, sometimes with real bitterness- to play this cathartic role [...]
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L'ARBRE DE GERNIKA, 2008. Euskadi. (Acrílic s/ llenç, 81x81) Antoni Miró